Title: BONE SCULPTURE
Artist: Sisne Senne
Medium: Bone-dry clay, sealed with archival clear coat
Dimensions: Option A – 13” H x ~6–8” W x ~6–8” D (approx. 2.5 lbs / 1.1 kg)
Option B – Custom size (negotiated, see below)
Edition: Unique / One-of-a-kind
Year: Image 2023
Availability: 2026 12 Collection, for commission
Production: ~32 days from reservation
Fragile; avoid exposure to moisture or heavy handling
Each sculpture is a meditation in form and care. The work honours slow, attentive creation, reflecting the artist’s year-long engagement with the material, its limits, and its potential. Collectors of this work are invited into a conversation about the beauty of process, the intentionality of form, and the quiet resonance of objects made with care and presence.
These sculptures reflect an internal dialogue in which I explored the nature of shame, its forms, and the lies it carries. The process—embracing forgotten trimmings, undefined spaces, and overlooked material—reveals that what is often dismissed is no less valuable; it is closer to source, origin, and nature. In creating these pieces, I recovered parts of myself, reclaimed my inner view, and honoured my self-worth. They are reminders that we are always reforming and reshaping, yet at our essence, we remain the same—like shaped clay, true and whole.
Title: BONE SCULPTURE
Artist: Sisne Senne
Medium: Bone-dry clay, sealed with archival clear coat
Dimensions: Option A – 13” H x ~6–8” W x ~6–8” D (approx. 2.5 lbs / 1.1 kg)
Option B – Custom size (negotiated, see below)
Edition: Unique / One-of-a-kind
Year: Image 2023
Availability: 2026 12 Collection, for commission
Production: ~32 days from reservation
Fragile; avoid exposure to moisture or heavy handling
Each sculpture is a meditation in form and care. The work honours slow, attentive creation, reflecting the artist’s year-long engagement with the material, its limits, and its potential. Collectors of this work are invited into a conversation about the beauty of process, the intentionality of form, and the quiet resonance of objects made with care and presence.
These sculptures reflect an internal dialogue in which I explored the nature of shame, its forms, and the lies it carries. The process—embracing forgotten trimmings, undefined spaces, and overlooked material—reveals that what is often dismissed is no less valuable; it is closer to source, origin, and nature. In creating these pieces, I recovered parts of myself, reclaimed my inner view, and honoured my self-worth. They are reminders that we are always reforming and reshaping, yet at our essence, we remain the same—like shaped clay, true and whole.
